Day-To-Dream Nation

Evaluating Voltage Via Vulgationism

It might be harder than it sounds cuz I’m sure it’s harder than it looks no matter who’s measured the current. In merry, Anglican England where a Man was a Mann, folks used to bring it to Jerome rather often and they were happy. “Do Wahs” and “Diddys” neither traumatized nor upset anyone perusing a document called a vulgate, as far as I know.

Then there’s Issue #150 (March 8, 2017) of Joe Carducci’s “The New Vulgate”—a dense blog built upon various violations of rock & roll, punk rock, alternative rock, oldtime (and sometimes newtime) pop radio, the decline of freeform radio, the rise of form-fit financial foolery, left-wing politics, right-wing politics, la la libertarianism, film history, factual fandangos… all the news that both mainstream and anti-mainstream press are hell bent on remaining clueless about so long as the shoes fit. It worked for Constitutionalism, Communism, Spiritualism and the new post-McCarthyism.

open_act10.1Mr. Carducci is the author of “Rock and the Pop Narcotic” and “Stone Male: Requiem for the Living Picture.” No telling if he intended it to appear but I’ll assume that an unnamed friend of mine submitted the unsolicited DaFoAC excerpt to the Vulgate, or maybe Joe just downloaded the ebook and read the damn thing. Stranger and more valiant things have happened in the literary world.

Surviving Civilization? That’s So… Wrong…

bk_cov02…since it was meant to decline. Eventually, many parts of it would decline as would body parts and their various functions. As it did, ideas evolved and books were often written. The literary world only has itself to blame for trying to validate perpetual dynamics. Without undetermined motion we are lost, be existence Titanic or Atomic.

In the midst of all this undetermined mess, I continue with “Decline and Fall of Alternative Civilization”—the novel that isn’t or perhaps shouldn’t be. I’m not attracted to perfection anymore. I guess it was a good idea at one time but all things do indeed pass. And sometimes they fall from the sky in the mid-1990s like “…an air played on the low strings of a fiddle, a viola-toned inflection, the native Irish rebelling against an unfortunate English tongue…” and “…poised on the brink of jailbreak.”

Lofty? You betcha. Improbable? Absolutely. Or maybe more like a flight attendant squeezed dry as airline crackers and “…like Icarus, blasted by wing-melting heat and fallen from grace with flight…” to be “…kicked under a pile of yesterday’s punch lines.” Hoowee! Ain’t that some kickin’ in literary pants that might be hidin’ the doodoo? Proud or not, we all have to sit on our own gamey thrones now and then.

DaFoAC is as finished as it will be. I’m OK with that. And, yes, after a hefty revision, it’s a *super-econo* ebook for awhile. Such a deal. Amazon (CHEAP!); Smashwords (FREE!); uh huh; for awhile; while it’s being pushed into its audiobook version. Uh huh; and it’ll be as optimistically wrong as literary-ness is ever gonna be.

Disclosure: I was never a Philosophy student; nor was I a college graduate who annoyed Mr. Vonnegut’s semi-colonoscopy woes. These parts of life just whacked me from elsewhere without apologizing for any wrongness. Call me crazy. You definitely can’t go wrong with that (but newfangled laws of physics’ll get ya every time).

Hate. The Literary Treat.

Uh huh. First, you can hate me for using the word *HATE* in a blog title. I ball_whiteain’t no nazi or anti-hater or alt-anything, nor do I rely on controversies of political statements or arguments. And let’s face it… that kind of dialectic seems to be all the rage these days. If I were that type of writer I’d probably get a $250,000 publishing advance from Simon & Schuster too; or be hiring ghosters to pound me some unpresidented, rogue-going memoirs; or forcing Kurt Vonnegut to bang on his coffin lid to bitch at me, “Hey, I told you once before. Stop that.”

Semicolons and NYT bestseller listicles aside, I’m again praising the wrongly roads of writing. Yes, that does have a wring:

“Why’d you tell like this when you could’ve shown like that?” Hate me.
The 50 gray greases of shading backstory? Hate me.
“That could’ve all been effective dialog…” So. Hate me.
“Consider your audience age group…” Hate me.
“But what genre are you trying to market across?” Hate me. Aisle 6.
“If only you’d created recognizable characters…” Yeah. Hate me.
Once upon a time, under a spreading chestnut, a tree. Hating me.
“There are no dark and stormy knights. Maybe soccer?” Goal. Hate me.
“You should flesh out the dystopian aspects…” No. Hate me.
“Make it more contemporary retro and…” Hate me. Again.
Darling fields alive with standing waves of gravure. Hated. ⓒ
“But no one gets these cultural references…” Not. Hate me.
“I’d stay away from such violent words…” Nouns. Hate me.
They were the best of mimes and the worst of mimes. (hatefully)
Yes, I stole that baby’s shoes. Never. Hate me.
“Fiction? Real? Surely this never happened…” Hate me. Again. Again.
“Too many notes. It’ll never be a hit.” Suspend me. Hate me.
“Blasphemy! You must capitalize these names!” Hate me. A cross, a fire.
“‘Fuck!’ he said, ‘One exclamation too many!'” Hate me!
Ashburying OK fields of great BJ-filled dicks. The Haight of electric hate.
Diversity, the last exits of Sunnybrook foundries. Hating me. Always.
“Tolkien was a genius. Have you read The Lard of…?” Hate. Me. And yourself.
The hysterectomies of proper. summer. writer. yawns. Hate. Fertilized.
Horrors, he said. Here’s Johnny. Marching home. Hate. A gazebo.
ARC: Macho Feminist Magic Aversion Therapy. Hate. The drag & daily.
“Queries: 7000 Macedonian agents with tails.” Hate. No reply.

There’s never been a good reason to fear literary failure. It’s a kind ofball_black declining and falling that will never stop, and usually better than anything labeled as the next big “new-thing-that-used-to-be-good!” cuz it’s never new, and definitely not good.

And by the way, Mr. Vonnegut, screw you; I didn’t go to college.

Tractatus Von Charybdis…

…und drang revisionist mingus,
mas ah um the wrongest way possible.

“The only things of value in the car were a paperback copy of Finnegans Wake and a borrowed hardback of Fear of Flying. She had read both books but the Erica Jong had one day plummeted from a hole in the floorboard during a parking maneuver in the rain. Kneeling in the gutter, she reached underneath and rescued it from a pothole-sized lake. Its owner wouldn’t be too thrilled upon its return. June never went to the impound yard to claim her nonpareil. It did, however, prompt her to write a thesis titled:

Fifty Ways To Spell Nietzsche
or
Why I Just Kant

A critical dissertation on 20th century reasoning as defined by elements of dystopian ideologies and their resulting cultural ethics, the paper was marked ‘Clever, but incomplete?’

The professor must have driven a Volvo. Or maybe he never had to wait tables. He probably had a spouse’s car to borrow or a AAA card eliminating worries about terms of transportation that kept him from considering how a broken-down Buick could be the main determiner of fate. Attempting to defend her treatise, she watched the professor place both elbows on the desk (the fingertips of both hands together) and rest his chin on the hook of his thumbs. His eyes glazed over in an institutional When-will-you-please-finish-torturing-me? manner. Finally, he raised his head and said, as if quoting from the Chilton Manual of College Instructors, ‘That, my dear girl, is what Mechanics is for. You need to pay closer attention to Pure Reason.’

It was not the first time she understood murder but she stifled a response.”

—the unthinkable Chaper III

A Lofty Log…

…of improbable, grand revisions.
Doing it all wrong and not any other way.

“…poetry was random and […] all of a king’s horses and all of a king’s men could storm in a light brigade and storm and storm and keep on stormin’ and it might all amount to much noise but very little sound. John Steinbeck proposed the automatic story in one of his novels, wherein an eyeful of pages open to let in an earful of tales. He understood that the twists of fate made patterns that patterned out to yet more patterns. One line to another, to a moiré, to a curving of space. This was the natural reinforcement of the infinite—Steinbeck’s Law: to let infinity take care of itself. The random perceptions, inflections, twitchings of ideas could neither be forced onto page nor into the air nor across anything resembling cyberspace. They could be wrestled with but once they are body-slammed no poetry results and only words have been yelled by thyroidian dwarves and fullback artistes who ache to be the village blacksmith smashing a metal dream into its hard shape. But smithies were hard to come by these days and such Neanderthal beauty was even more difficult to approximate.” 

—the unthinkable Chaper VIII

From Galicia to Milesia?

After a longer than normal break I’m back. Don’t everyone rejoice at once. Thanks to How We’ll Prompt... a Milesian story. Enjoy the pancakes.


“My good man, we have traveled far. From the Galician highlands through the northern seas. We come seeking the Frankie, the Gavin! Wherefore arth he?”

“Arth? I’m sorry, there’s no Arth here, my lord. Nor any of his square table.”

“No, no. We are not seeking Arth. We seek the Frankie, the Gavin!”

“Ooooh, forgive me. I remember now. Arth’s table was round.”

“We are not seeking Arth or anyone like that. Pray, sir. We seek the Frankie, the Gavin!”

“Frankie?”

“Yes. The Gavinish one.”

“Might you mean the one with the red fringe on top?”

“Perhaps we might.”

“I haven’t seen one of those in ages. But I do have a lovely turnip.”

“A… turnip?”

“Yes. A big, lovely, red and brown turnip.”

“We are not seeking your turnip.”

“Just as well. It’s not for sale. I like my turnip. And you can’t have it.”

“And I don’t want it.”

“Then why are you here?”

“Must I tell you again, good man? We seek the Frankie, the Gavin!”

“Ooooh, you must mean the pancake maker.”

“No.”

“Oh, but you must.”

“But I don’t.”

“I would love one of his pancakes right now.”

“We seek not pancakes!”

“No? Then you must be looking for a shark.”

“A shark? What do sharks have to do with anything?”

“They don’t, my lord. But I can poach a lovely mako syrup. Sharks are lovely with my turnip, hogwart and cedar sauce.”

“I would think not.”

“Why?”

“Because you are clearly not a wizard.”

“I am.”

“Are not.”

“Am.”

“Sir, you try my patience! For the last and final time! We have come from afar and we seek the Frankie, the Gavin! Do you hear me? THE FRANKIE, THE GAVIN!”

“If that’s what you want you should look in this log cabin.”

“Ah. Then the Frankie, the Gavin lives here?”

“No, sir, just me. I’m a hermit.”

“If you’re a hermit, my good man, why is your table set for four?”

“That’s nothing. My alarm is set for eight.”

One Perfect Second

marilyn00I resisted posting this because I’d already circulated it a bit, and some poet friends had lately been “de-blogging” since a number of journals frown on such entries as “previously published works.” This is nothing new, but I’ve never considered myself a dedicated poet and I won’t be able to sleep until I do this, even if it is the day after her birthday.

In 1953, Alfred Eisenstadt shot the timeless photos of Marilyn Monroe at home for LIFE Magazine. Despite the pure magic of those images, by today’s standards Ms. Monroe would be passed over by the casting agents and be advised to “augment” her looks by any means necessary. Personally, I would rather have one much imperfect Marilyn than thousands of selfie-validated, booty-praised and perfectly ’shopped faces that glow in the fading stream of Snapchats.

Light. Time. Breath. Without them our memories mean nothing.

f/16 ∞

I knew my kingdom, not on any map 
‘Twas there sitting on Eisenstadt’s lap
Focus, depth, infinity’s mile 
He never asked me once to smile

A Gram of Insta, Please

Feels like I’ve spent my whole life avoiding social “connectivity” even if it’s only been a little over 20 years since my first fling with “Welcome to Compuserve!” where I got addicted to those early chat rooms, and email opened up a rather fun (and efficient) means of communication. Ah, the 20th Century concerns that many of my 20th Century cronies disdained. I was finally part of the Cyber Age, like it or not. I still remember the first email breakup. It wasn’t traumatic. It was just… kinda… interesting. I accepted it; she wouldn’t.

I’ve gone into most social media kicking and screaming. But, as a writer, if ya wanna swim (and not worry about the Jaws of self-doubt), ya figure out what ya wanna do and how ya wants ta do it; then ya consult with some 12-year olds and do what they say and then sign yer ass up and gitcherself crackin’ on whatcha wanna do. Simple. Those 12-yos will respect and support you.

After Twitter, Soundcloud and YouTube, I’m now on Instagram. Conventional wisdom states that an author needs to establish his “brand” on all the SM sites. Nope. I know what I’m trying to do and I know not to fight on E=00_igtoo many fronts at once. The WWII Luftwaffe had great aircraft and pilots but their high command wouldn’t let ’em use those Me262s the way they were meant to be used. The Wehrmacht also had a horrible grasp on how to handle their V-2 program. Thank you, Mr. Von Braun, for defecting to the proper enemy.

I still refuse to do Facebook.

Fearless Gobbas! O Hey!

Wheeee! The How We’ll Prompt #7/100 challenge!
A Twit-story based on the words cosmic and street;
then expanded into a 100-word poem:


Sgt. F. Fosdick’s fists fondled vinyl, see,
from the 5th and Finnegan Fine-N-Fancy-Flea.
where finicky Finches flew forth and said, “Frank!
you’ve Flipper and Fear, a’fore and a’flank!”
“Found for near free, my dear Frau Finch.
Fantastic fandangos from which ne’er did I flinch.”

But Lt. G. “Cosmic” Grant grumbled gruffly, no glee,
“Greatly goofed, this grammar! Garbled gob of graffiti!
This ‘Gaggly Gabby Gobba Gobba’? What the hey?
O, grimace! O, gag! O, great ghosts of grey!”

Fulfilling five finales, Fosdick put forth, “It doth start.”
Groaned Grant, “I agree. This street used to be smart.”

Fools? The Product? FANATICS…!!!!

dboon_nwt01Good news? Bad news?

Well, the good news is that “Decline and Fall of Alternative Civilization” officially hit the digital streets on Friday, April 1—my targeted release date. The other day I successfully uploaded the .doc file to Smashwords and, after repairing one minor glitch, today it was approved for their Premium Catalog! Deadline met! Amazon, however, will take a couple more days. I’m gonna take the weekend to fix a few things (damn these file format conversions!). I can’t worry anymore. I’ve been thru the writer’s blogs; the marketing philosophies and surveys; done the research. You can’t prepare forever… it ain’t healthy. And I’ve always reserved the right to do things wrong.

‘Tis better to announce what’s been done than to glorify over what hasn’t been.

Years ago in the music, film, video and promotions businesses, working with, under, around, between, thru and against the egos, entities, entitlements and eczemas of artistic expressions, there was always the moment when you had to let go of preparations and expectations and kick that project out on its cranky little ass. Do or die. Ready or not. On stage, in front of the camera, warts and all. So, you shit yourself publicly? It happens. But you see what the fuck you’re made of. No excuses. Otherwise you’ve wasted your and everyone else’s time.

Tonight I might drink a little whiskey. Dig out the old fiddle I ain’t played in years, see how many tunes I can remember and celebrate the birthday of Mr. D. Boon. He was no pretty boy hair-rocker, no whiny hipster, didn’t have the greatest voice, but when it was time to play he made his mark. Some of us still have bruises but that was the whole point. Thank you, my man!

(and thank you, Spot, for the photo!)